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Add lens to starry night pro
Add lens to starry night pro









add lens to starry night pro

The α7R II handled the high ISO (10,000!) extremely well! I light-painted some of the foreground which took a couple attempts, but the idea was to make the flowing water somewhat visible and to create a mysterious effect.

add lens to starry night pro

This was also taken with the Sony 16-35mm f/4 lens at 16 mm, but this time at 20-seconds, f/4 and ISO 10,000. I took this shot of Mount Lassen itself when we found a bridge that had a creek flowing underneath. The light you see is from car headlights in the lower right part of the photo as someone was driving down to their campsite, which I think really helped accentuate the reflection. I love the visual you get with this ‘zoomed-in’ look with the Milky Way looking larger than life. Here’s a closer look at the same scene, but this time shot with the Sony 50 mm f/1.4 lens at 8-seconds, f/2.0 and ISO 6,400. 15 seconds was perfect for keeping the stars sharp while letting in plenty of light at f/2.8 to get clarity in the Milky Way. I used the 24-70 mm f/2.8 G Master lens at 24mm and an exposure of 15-seconds at f/2.8 and ISO 5,000. The water was like glass, reflecting the stars brightly. This was the calmest lake I’ve ever seen. Sony 24-70mm f/2.8 G Master lens at 24mm. I showed this photo to my friend and fellow Sony shooter, John Bevel ( right after taking it and he said, “Reaching for the stars” in reference to how the trees appear to be outstretched. The air was still so there’s no motion blur in the trees, but even if there had been, this shot would have worked. Because it was so dark without any moonlight, I pushed the ISO way up to get as much out of the Milky Way as possible. The exposure was 25-seconds at f/4 and ISO 10,000. I was shooting with the Sony 16-35mm f/4 lens at 16 mm. Experiment and review the images on the camera's LCD as you shoot to get yourself dialed in. Then just set the ISO where it needs to be and use a sturdy tripod. Using wide angles, you can often shoot with your aperture wide open and still be sharp from the foreground all the way to the stars. On a dark night like this one, the Milky Way stretches from the horizon to high in the sky, and using a wide-angle lets you include interesting foreground elements that add to the photo. The Milky Way is a great subject for wide-angle lenses. To keep the stars from streaking, set a shutter speed of less than 30 seconds. Fast lenses and having a camera that can handle high ISO really helps. Night photography like this doesn't have to be complicated. We took photos until around 4:00 AM, chasing the Milky Way as it made its way across summer night sky. We met up before sunset and started shooting shortly after nightfall. This overnight trip to Lassen ended up being with three other friends and I. Sony was good enough to loan me a case of cameras and lenses for my friends and I to try out over a couple weeks and I had been taking small groups out to test out the gear. On the night of the new moon, the darkest night of the month, a group of friends and I trekked to Lassen Volcanic National Park in California for a Milky Way photography adventure.











Add lens to starry night pro